
Press Kit - Education
Quick Links
Teaching Experience
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Reed College | 2024 - 2025
Director of JazzMetropolitan Youth Symphony | 2024 - 2025
Jazz Ensemble DirectorPortland State University | 2021 - 2025
Adjunct InstructorContemporary Music Theory I
Jazz Arranging I, II, and III
Jazz Combo
Jazz Sight Singing and Ear Training I, II, and III
Jazz Theory I and IIPacific University | 2021 - 2025
Adjunct InstructorApplied Saxophone Lessons
Saxophone Quartet
Woodwind Techniques -
Performances for campus community, direction of jazz ensembles and sectionals, and interactive workshops.
COLLEGE
Ithaca College | Ithaca, NY | 2025
Lower Columbia College | Longview, WA | 2024
University of Reno | Reno, NV | 2023
University of North Carolina School of the Arts | Winston-Salem, NC | 2017, ‘22
New Mexico State University | Las Cruces, NM | 2021
Indiana University of Pennsylvania | Indiana, PA | 2020
University of Denver | Denver, CO | 2019
Southern Illinois University Edwardsville | Edwardsville, IL | 2018
Slippery Rock University | Slippery Rock, PA | 2018
Lawrence University | Appleton, WI | 2017
Southern Methodist University | Dallas, TX | 2016
Arkansas State University | Jonesboro, AR | 2015
New England Conservatory | Boston, MA | 2015MIDDLE & HIGH SCHOOL
Oregon All-State Jazz Band | Eugene, OR | 2024
La Villa School of the Arts | Jacksonville, FL | 2019
Orange County School for the Arts | Orange County, CA | 2018
Baltimore School of the Arts | Baltimore, MD | 2017
For Hayes Metropolitan Education Center | Columbus, OH | 2017 -
Presentations on subjects related to saxophone, jazz, and career development and entrepreneurship in the arts.
Reed College | Portland, OR | 2024
Jazz at Lincoln Center’s Swing University (virtual) | The Music of Johnny Hodges | NYC | 2024
University of Michigan (virtual) | The Making of Our Highway | Ann Arbor, MI | 2021
University of Missouri – Kansas City (virtual) | Album Production & Music Publishing | Kansas City, MO | 2020
Northwestern University (virtual) | Jazz & Classical Saxophone | Evanston, IL | 2020
Jacksonville University | Jazz Arranging | Jacksonville, FL | 2019
Florida Atlantic University | Entrepreneurship in the Arts | Delray Beach, FL | 2019
Eastman School of Music (virtual) | Financial Management for Musicians | 2018
Manhattan School of Music | Career Development Panel | New York, NY | 2016
Tarrant County Community College | Jazz Theory & Improvisation | Fort Worth, TX | 2016
Teaching Evaluations
Click on the links below to view letters of support from students and official Course Evaluations.
Hannah D.
Undergraduate Student
Jazz Theory,
Instrumental Jazz Arranging
Portland State University
2021 - 2024
Jakob A.
Undergraduate Student
Applied Lessons, Saxophone
Pacific University
2021 - current
Owen E.
Graduate Student
Instrumental Jazz Arranging
Portland State University
Spring 2023
Kaden P.
Undergraduate Student
Applied Lessons, Saxophone
Pacific University
2021 - current
Allison W.
Undergraduate Student
(non-music major)
Applied Lessons, Saxophone
Pacific University
2021 - 2023
PSU Course Evaluation
Portland State University
Jazz Arranging III
Spring 2025
Anonymous Responses
Giselle J.
Undergraduate Student
Jazz Sight Singing & Ear Training
Portland State University
2022 - 2023
Teaching Videos
Applied Saxophone Lesson
Clip 1 – Full Range Scales (starts at 00:20)
Clip 2 – Bebop Scales (starts at 04:17)
Clip 3 – Chord Arpeggios (starts at 07:13)
Clip 4 – Guide Tone Lines (starts at 12:32)
Clip 5 – Guide Tone Liens with Improvised Rhythm (starts at 27:37)
Clip 6 – Solo Transcription (starts at 34:47)
Combo Rehearsal
Clip 1 – Tonic Chords (starts at 00:17)
Clip 2 – Improvisation Exercises (starts at 07:22)
Clip 3 – Feedback on Improv Exercises (starts at 14:05)
Clip 4 – Dynamic Control as a Lead Voice (starts at 16:25)
Clip 5 – Feedback & Visual Communication (starts at 19:22)
MUS 424 Instrumental Jazz Arranging
Clip 1 – Scale Degrees & Roman Numerals (starts at 00:19)
Clip 2 – Chord Scale Relationships (starts at 06:44)
Clip 3 – Chord Symbol Notation (starts at 15:28)
Clip 4 – Chord Extensions & Dominant Chord Resolutions (starts at 22:05)
MUS 214 Jazz Sight Singing & Ear Training
Clip 1 – Clarifying Vocabulary & Strategies (starts at 00:21)
Clip 2 – Quarter Note Triplets (starts at 18:08)
Reed College Jazz Ensemble Performance
Spring 2025
Sample Syllabi
Click on the links below to view sample syllabi.
Instrumental Jazz Arranging II
Jazz Ensemble
Applied Lessons - Saxophone
Media Samples
Videos
Audio
Performance History
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FESTIVALS
Reno Jazz Festival | Owen Broder | 2023
Earshot Jazz Festival | Owen Broder Quintet | 2022
Detroit Jazz Festival | Anat Cohen Tentet | 2021
Elmhurst Jazz Festival | Gil Evans Project: Birth of the Cool | 2021
Monterey Jazz Festival | Anat Cohen Tentet | 2018, ‘20
Bern Jazz Festival | Anat Cohen Tentet | 2019
Umbria Spring Jazz Festival | Anat Cohen Tentet | 2019
DC Jazz Festival | Cowboys & Frenchmen | 2016, ‘17
Newport Jazz Festival | Anat Cohen Tentet | 2016VENUES
Kuumbwa Jazz Center | Owen Broder Quintet | 2024
SF Jazz Center | Anat Cohen Tentet | 2017, ‘19, ‘22
Jazz Standard | Gil Evans Project | Bob Brookmeyer 90th Birthday Tribute Concert | 2020
Carnegie Hall: Zenkel Hall | Anat Cohen Tentet | Premiere of Triple Helix commissioned by Carnegie Hall | 2019
Chicago Symphony Hall | Anat Cohen Tentet | 2019
Jazz Standard | American Roots Project | Heritage CD Release | 2018 -
JAZZ
Portland Jazz Composers Ensemble | Alto Saxophone | 2023 - Present
Anat Cohen Tentet | Baritone Saxophone, Bass Clarinet | 2016 – Present
Gil Evans Project | Woodwinds | 2012 – PresentCLASSICAL, PIT ORCHESTRA & TELEVISION
Manhattan Saxophone Quartet | Baritone Saxophone, member | 2019 – Present
The Most Happy Fellow | Williamstown Theater Festival | Alto Saxophone, Flute, Clarinet | 2022
Tootsie | Tony® Award Winning Broadway Musical | Low Reeds Sub | 2019
The Plot Against America | HBO Miniseries | Alto Saxophone | 2019
The Bodyguard the Musical | U.S. Premiere Tour | Woodwinds | 2016-2017
Lazarus | Off-Broadway Musical by David Bowie | Low Reeds Sub | 2016 -
JAZZ
Jihye Lee Orchestra | Baritone Saxophone, Bass Clarinet | 2022
Ulysses Owens, Jr. Big Band | Baritone Saxophone | 2022
Riley Mulherkar Sextet | Alto and Soprano Saxophones | 2021
Miho Hazama’s M-Unit | Baritone Saxophone, Bass Clarinet | 2020
Dan Pugach Nonet | Baritone Saxophone, Bass Clarinet | 2020
Charles Pillow Large Ensemble | Bass Clarinet | 2019
Lucas Pinos’s No Net Nonet | Baritone Saxophone, Bass Clarinet | 2019
Sammy Miller & The Congregation | Tenor Saxophone | 2018CLASSICAL, COMMERCIAL, WORLD MUSIC
American Patriot | Renegade Opera | Alto / Baritone Saxophones | 2023
Arthur Verocai | Baritone Saxophone | 2023
Post Modern Jukebox | Tenor Saxophone, Clarinet | 2018, ‘19
Bird & The Bee | Tenor Saxophone | 2019
Trio Globo | Alto Saxophone | 2014
Press & Recognition
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“Smooth-as-silk alto and baritone saxophone work.” – Frank Alkyer, DownBeat Magazine
“Fans of large-ensemble music might notice the sturdy artistic thread that connects bandleaders Maria Schneider, Ryan Truesdell and Owen Broder.” – Bobby Reed, DownBeat Magazine
“Broder employs a past-via-the-present compositional technique with ingenuity and skill, producing music of genuine warmth and majesty.” – Brian Zimmerman, Jazziz Magazine
“Owen Broder plays with gospel-soaked gravitas.” – Raul da Gama, World Music Report
2023 and 2024 Rising Start Alto Saxophonist, DownBeat Critics Poll
2023 Regional Arts and Culture Council Grant Recipiant
2021 UNCSA Alumni Artpreneur Grant Recipient
2020 International Society of Jazz Arrangers & Composers Grant Recipient
2018 Debut Artist of the Year, NPR Critics Poll
2018 ASCAP Herb Alpert Young Jazz Composer Award – "Goin' Up Home," Heritage
2017 Eastman/ArtistShare® New Artist – Heritage -
Best Albums of 2022 – DownBeat Magazine
”The swing is impeccable.” | Editor’s Pick, Oct. 2022 | ★★★★ – Frank Alkyer, DownBeat Magazine
“A heartfelt tribute without ever aping the object of his affection or straying too far from the path. In short, he finds a perfect balance.” – Dan Bilawsky, New York City Jazz Record
“This conjunction of performance and intentions works delightfully throughout.” ★★★★ – Peter Vacher, Jazzwise
“What stands out is Owen’s ability to channel Johnny’s timbre and tone.” ★★★★★ – Jeff Krow, Audiophile Audition
Over 3 million streams on Spotify.
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"A transcendent work of art." — Bobby Reed, DownBeat Magazine
"Highly enjoyable, as well as impressive." ★★★★ — Brian Priestly, Jazzwise Magazine
"Owen Broder has hit the musical jackpot with his exploration of American roots genres blending bluegrass, blues, folk, and spiritual idioms with a jazz swing feel." — Jeff Krow, Audiophile Audition
"The ultimate representation of the marrow, majesty, and malleability of American roots music. In imbuing wide swaths of the country with a jazz sensibility, Broder puts the “heart” in “heartland.” — Dan Bilawsky, Senior Contributor, JazzTimes
"Owen Broder and his crew examine the various sonic styles to emerge over the country’s history through a jazz lens—and the results are bracing." — Michael Roberts, Jazziz Magazine
Best Music of 2018 – Best New Releases, NPR Critics Poll
Editor's Pick, DownBeat Magazine
10 New Albums You Need to Know About (March 2018), Jazziz Magazine -
"The ensemble is smart, cohesive, and credible... using virtuosic skills and rhythmic power to walk the line between irony and earnestness, with listenability as high a priority as group creativity.” ★★★★ — Howard Mandel, DownBeat Magazine
"Innovative as well as inspiring. Electric and emotional. The artistry of the quintet is exemplary.” — Travis Rogers, Jr., Jazz Times
“Together, the band make a glorious sound – more like a larger ensemble at times – providing intriguing, innovative and sublime music.” — Mike Gates, UK Vibe
2018 M-Prize, semi-finalists
2017 Umbria Jazz Festival's Conad Competition, finalists
2016 DC JazzPrix, finalists
Click below for an expansive list of selected press with links to read full reviews.